Until 10 years ago, there was a simple boathouse on the spot where the Pousette family’s second home now stands. It’s easy to see why Knut and his wife Catherina were keen to transform that boathouse into their holiday home; the picture-perfect location speaks for itself.
Set on the island of Värmdö in the Stockholm archipelago on the banks of Lake Vämlingen and surrounded by almost 300 acres of land, it conjures up images of hazy summer days spent reading under a shady tree, barbecues with family and friends, and long bike rides followed by a quick dip in the lake.
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THE STORY
Owners Knut and Catherina Pousette holiday here with their children Angelica, 14, Carl, 12, and Gabriella, 10, and their dogs Chico and Chebi.
Property On the island of Värmdö in the Stockholm archipelago, the house was once a boathouse bought by Knut’s great-great-grandfather in the 1900s.
What they did Knut and Catherina extended the boathouse into a stunning seven-bedroom holiday home over the course of a year.
‘It’s the perfect place for our three children, Angelica, Carl and Gabriella,’ says Knut. ‘And our dogs, Chico and Chebi, love it too.’
It’s also just a hop away from the Pousettes’ home in the city. They can leave Stockholm after breakfast and arrive at their holiday home in time for lunch.
Then there’s the fact that the boathouse has a long history with Knut’s family. His great-great-grandfather bought it back in the 1900s, and when it eventually passed to Knut and his family, they knew they wanted to keep it. The old boathouse thus became a home, with the couple working alongside an architect to incorporate the original structure into the plans. They achieved this by adopting the slatted timber façade of the boathouse for the new extension and painting it Falu red
(Falu rödfärg, in Swedish), a colour that’s long been synonymous with Sweden.
As a result, it’s difficult to pick out the old boathouse from the new extension – one flows seamlessly into the other. ‘Downstairs, the old part consists of a living room and a small library; upstairs is one of three guest bedrooms,’ explains Knut. ‘The new extension includes a kitchen, entrance hall, two guest rooms and bathroom on the ground floor. Upstairs we’ve created four more bedrooms and a second bathroom.’
The transformation from boathouse to summer home was dramatic and involved a lot of upheaval, but you’d never guess as the finished look is calm and harmonious. Knut and Catherina envisaged the family spending lots of quality time together there and the open-plan kitchen-diner exudes a relaxed, comfortable vibe that suggests long, leisurely breakfasts and lively dinners.
True to the setting, there’s an emphasis on neutral colours and natural materials to let the stunning view of the lake steal the spotlight. There are no overhead cabinets in the kitchen, just a couple of well-appointed shelves painted the same colour as the slatted walls and Quarella marble-topped base units so that the kitchen recedes quietly out of view.
The dining area commands more attention, teaming a traditional farmhouse look with a more classic Gustavian style. In an extra design twist, the dining chairs have been updated with a bold zebra print to create a subtle mix of old and new. There are other unexpected design decisions – most notably, the couple’s complete disregard for complementary patterns (cue zebra stripes and florals).
It shouldn’t work, but it does, possibly because Knut and Catherina have minimised clutter to keep the overall look streamlined. To achieve this, custom-made cabinets run from the kitchen into the adjoining living space where they’re built to the ceiling to maximise storage space.
The separate living room is more formal and was once the old boathouse, so it has a lofty ceiling to allow for tall masts. The Pousettes have used the vertical space to their advantage by hanging paintings high on the wall to help draw the eye upwards and make the space feel welcoming. The family portraits include one of Count Arvid Rutger Fredriksson Posse, a former Swedish prime minister and one of Knut’s ancestors.
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Despite its age, the boathouse required very little work to make it habitable. ‘All we needed to do was replace the flooring,’ recalls Knut. It was similarly easy to decorate. ‘A lot of the furniture was inherited from my parents and my grandfather, so we haven’t had to buy much,’ he adds.
The few pieces they have added balance out the room’s more fanciful flourishes beautifully – in particular, the sculptural coffee table and the Zimmer + Rohde upholstery on the Gustavian armchairs. The mantelpiece is also new, and is offset by the curves of the mirror hung above it, which looks old, but appearances can be deceptive.
The bedrooms upstairs take their cue from the lower floor décor. Pattern is again a theme, and heirlooms rub shoulders with new pieces. Knut and Catherina say that they relied on their instinct when they decorated and furnished this special home, filling it with pieces they love, assuming that it would all somehow work. It does.
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